Doc Bozeman tried to concentrate on that bullet—black and glistening with blood—and not on the fact that it was lodged in John Dillinger’s shoulder. Muscle and tissue gripped it like the gangster didn’t want to give it up, and Bozeman maneuvered to get a grip with his forceps.
Growing up as young Black men in Saint Paul’s Rondo neighborhood, we learned a lot from the generation of Black men who preceded us. We, like they before us, were simply known as “the Rondo boys.” Rondo was where we learned to survive, to grow and develop—it was where we learned the value of our extended family membership, where we fell in love and got our hearts broken. It was also where we learned what’s in a name.
I remember Rondo . . . the streets were cobbled stone.
I remember Rondo . . . 450 was our home.
I remember Rondo—the intersection Arundel Hill,
On one corner the cab station; across the street,
Joe’s Grocery Store . . .
I remember Rondo, and we never locked our door.
I remember Rondo—smiling faces still in my mind
Gordon Parks was an acclaimed artist who confronted poverty and racism with such creative grace that he became an internationally admired cultural icon long before his death in 2006 at age ninety-three. An accomplished photographer, writer, composer, musician, and film producer and director, Parks was born in Fort Scott, Kansas, in 1912, and later moved to Saint Paul, where he spent his formative years. His memoir, A Choice of Weapons, which describes his experiences from 1928 through 1944, was first published in 1966 and reissued in 1986 and 2010 by the Minnesota Historical Society Press.